Cuba reopens
Napoleonic Museum
• Considered one of the five
most important of its kind in the world
Amelia Duarte de la
Rosa
THE only one of its kind in Cuba,
housing one the most important collections from the
18th and 19th centuries preserved in the Western
hemisphere, the Napoleonic Museum (San Miguel Street,
between Ronda and Mazón, on one side of the
University of Havana) reopened its doors this past
March 29, after receiving a three-year capital
restoration involving specialists from the Cultural
Heritage Department of the City Historian’s Office.
Napoleon Princess Alix de Foresta,
widow of Luis Marie Bonaparte, a descendent of King
Jerome, Bonaparte’s younger brother, was especially
invited to the island for the opening.
The Museum, founded on December 1,
1961, occupies a Florentine Renaissance style
building which was the home of an Italian-Cuban
politician, Orestes Ferrara. The mansion, named La
Dolce Dimora by its owner, was built between 1926
and 1929 by the architects Evelio Govantes and Félix
Cabarrocas, whose portfolio includes the National
Capitolio and the exuberant residence of Catalina
Lasa and Juan Pedro Baró (currently the Casa de la
Amistad on Paseo).
On its four floors, the building
displays almost 8,000 items, most of them dating
back 100-plus years and fundamentally related to the
epoch of the French Revolution through the Second
Empire. An extraordinary collection of books in
French, English and Spanish in the specialized
library on the fourth floor; as well as suits,
weapons, military equipment, furniture, coins,
historic and decorative objects, including pieces
crafted by those who were considered the best
cabinet makers, bronze metal workers, gold and
silversmiths in the world, are on view in the
Museum’s various rooms.
Various pictures, engraved prints
and sculptures are displayed on the walls and spaces
of the elegant galleries, reflecting different
moments in the life of Emperor Napoleon I created by
Louis Tocqué, Jean-Marc Nattier, Nicolas de
Largillière, Jean Baptiste Regnault; Françoise
Flameng, Andrea Appiani and Robert Léfèvre, among
other artists.
Exhibits are distributed in the
grand hall on the first floor, which offers a
panorama of the French monarchy and a new Weapons
Room, formerly the Museum’s activities room, a large
mezzanine area on the second floor, which shows the
Bonapartes transformed into an imperial family, and
the third level, exhibiting personal items and
possessions of the man imprisoned on the island of
Saint Helena, the renovated building has reopened in
all of its splendor after detailed repairs to its
carpentry, glass fittings, decorations, tapestries,
plaster, flooring, lighting and technical
installations.
The museum display includes among
its most significant assets Napoleon’s death mask,
brought by Dr. Francesco Antommarchi, the last
doctor to care for the emperor on Saint Helena, who
died in Santiago de Cuba; a bronze, glass and wooden
telescope used by Napoleon; a frock coat from when
he was first consul; a two-cornered hat and his
watch, a recent donation to the institution,
displayed for the first time in the third floor
bedroom.
With its reopening, the Napoleonic
collection —with treasures from the collection of
the sugar magnate Julio Lobo, to which other pieces
have been added, donated, purchased or recovered by
the state —presents silverware found hidden in the
walls of the third floor during restoration efforts.
Of unequaled historic and cultural
value, the Napoleonic Museum has returned to
recreate the history of an era of 200 years ago. It
is open to the public from 9:30am to 5pm, Tuesday
through Saturday, and Sundays from 9:30am to
12:30pm.
A CARIBBEAN MUSEUM OF EUROPEAN
HISTORY
"One hundred and ninety years after
the death of Napoleon Bonaparte, a monument to the
man who, without doubt, was one of the most
important figures in modern history, heir to the
French Revolution which shook the world, has been
preserved and renovated on a Caribbean island.
That is how Havana City Historian
Eusebio Leal assessed the importance of the
Napoleonic Museum during the reopening ceremony on
March 29.
Attending the event were José Ramón
Fernández, Vice President of the Council of
Ministers; Culture Minister Abel Prieto and Higher
Education Minister Miguel Díaz-Canel; Princess Alix
de Foresta, widow of Prince Napoleon and head of the
imperial family of France, who described the museum
as an "exceptional work;" Jean Mendelson, French
ambassador to Cuba; and members of the diplomatic
corps, restorers and researchers.
Leal, who also thanked the
specialists from the Cultural Heritage Department of
his office, explained the origins of the museum
showcase —primarily from the collection of sugar
magnate Julio Lobo— and highlighted the donation,
for the occasion, of the porcelain pieces from the
imperial family’s private collection, and Napoleón’s
gold watch, exhibited for the first time, and
donated by President Raúl Castro in honor of the
memory of his wife Vilma Espín.
For his part, Ambassador Mendelson
congratulated the City Historian’s Office for its
efforts to safeguard the heritage and noted that the
museum is "without a doubt the most beautiful
collection of this heritage outside of Europe."