Carlota the
rebel
BY MARTA ROJAS—Granma
daily staff writer—
THE fifth decade of the 19th century was
characterized by successive rebellions on the part
of African and Cuban-born slaves, particularly in
the great plain of Havana-Matanzas, the emporium of
the slave-owning oligarchy, given the wealth of its
land and the profusion of the sugar-cane industry.
The repression was infamous in its cruelty and
one particularly recalls the so-called Escalera (Ladder)
Conspiracy and its dramatic sequel of torture,
crimes and shootings ordered by General O’Donnell,
including that of the great mixed-race poet Gabriel
de la Concepción Valdés (Plácodo) and a group of men
belonging to the incipient black bourgeoisie,
thousands of black and mixed-race free persons and
slaves. That process was so extended and horrifying
that 1844 has come down to our days as the Year of
the Strap.
Traditional Cuban history never touched on the
impetuous beginnings of the slave rebellion in that
historical period. But that silence – or deliberate
omission in more than a few cases – is not the case
in these years of Revolution. The restored landmarks
include the rebellion at the Triunvirate sugar mill
in Matanzas and, more specifically, the heroic
dimension of Carlota, the pro-liberation slave.
The uprising led by Carlota and a group of rebel
slaves had international repercussions. A few days
after the rebellion began, the Vandalia, a
U.S. Navy corvette, appeared in the port of Havana
under the command of Rear-Admiral Chauncey, the
bearer of an "official" letter from the Spanish
Business Attaché in Washingon, which notified
Captain General O’Donnell that he could count on the
aid of the United States to crush the "Afrocuban"
rebellion, a document that Commander Chauncey,
accompanied by a Mr. Campbell, the U.S. consul in
Havana, presented to the colonial governor in an
official ceremony with full diplomatic rigor.
This support further spurred on the repression
meted out by the Spanish authorities in Matanzas of
the slaves who participated in the Triunvirato
uprising, from the governor and district captains,
to the slave owners of farms and sugar mills to
simple overseers. In the end, Carlota was literally
torn apart. But her action was an epic one.
This was the beginning: the drums were talking in
the Triunvirato mill in the months of July and
August, 1843. Two Africans were in contact. They
were Lucumies: Evaristo and Fermnina, from the Acana
mill. They devoted themselves to campaigning among
the slaves to put an end to the brutality of that
system. They managed to communicate via drums which
they played with eloquence. On November 5, 1843 the
Triunvirato slaves rebelled. There was a military
trial from which it emerged that the Matanzas
Military Committee had uncovered a vast conspiracy
in the above-mentioned mills.
In addition to Fermina, other women had an
energetic participation in the anti-slave movement,
as well as their men. There was a militarily gifted
and exceptionally daring women in the front line:
Carlota, of Lucumbi origin, who belonged to the
Triunvirato mill. Involved with her in the rebellion
were Eduardo, a Fula; Carmita and Juliana, Cuban-born;
Filomena, a Ganga from the Acana mill; and Lucía, a
Lucumi from the Concepción estate, all of them in
Matanzas.
For the white slave owners what they heard was
merely a drumming ceremony from a black slave cabin
calling to the ancestors. But the fact is that at
8:00 p.m. on the night of Sunday, November 5,
Eduardo, the interpreter of the kettledrum voice
advised everybody, and Carlota, Narciso and Felipe,
and the Ganga Manuel, like the "spokesperson," had
already sharpened their work machetes. At that hour
the objective was not the cane plantations, but the
brutal plantation manager, his overseers and lackeys.
It was they who first felt the blades of steel and
were felled, their pistols and rifles seized, as
well as similar weapons from other white individuals
who abandoned them in all haste.
Somewhat terse concerning these cases, the
official municipal representatives on the Military
Committee relate for history that the blacks "set
fire to the main house, part of the plantation and
the sugar mill huts."
The Fermina from the Acana mill, who took part in
a rebellion on August 2, had been imprisoned with
shackles from which she was released by her brothers
and sisters on November 3. Carlota and her captains,
according to their secret plan, had gone from
Triunvirato to Acana to free the slaves.
Nobody should imagine, because it would be naïve,
that Carlota went with a holster strapped to her
chest, and in boots. She went barefoot, in her
threadbare dress. The successes at Triunvirato and
Acana must have encouraged the rebel slaves who were
fighting for freedom and they continued their
surprise attacks in the area. They liberated the
slaves from the administrations of Santa Ana,
Guanábana and Sabanilla del Encomendador, belonging
to the Concepción, San Lorenzo, San Miguel, San
Rafael sugar mills, and the neighboring coffee
plantations and dairy farms. But the governor’s
powerful forces were already pursuing Carlota the
Lucumi, Eduardo the Fula and her other comrades, and
in a battle as unequal as it was bitter – presumably
due to the difference in the strength, quality and
quantity of the enemy firepower – Carlota was taken
prisoner and tied alive to horses pulling in
opposite directions until she was torn apart.
According to the annals, Blas Cuesta,
administrator and co-owner of the San Rafael mill,
earnestly appealed to the governor of Matanzas, who
had just arrived on his property, not to continue
massacring defenseless blacks. Some slaves who
escaped got as far as the Ciénaga de Zapata and
continued fighting in the Gran Palenque (hideout of
runaway slaves) in the Cuevas del Cabildo.
Fermina was shot with four Lucumies and three
Gangas in March 1844.
This was not the only or the first slave
conspiracy or rebellion. One would have to recall
that of José Antonio Aponte in 1812. And long before,
the determined and victorious protest of the slave
miners of Rey in El Cobre (1677), until their
freedom was de jure acknowledged in 1801.
In terms of its vigor and bravery, Carlota’s
liberation struggle is part of the Cuban heritage of
rebellion against oppression. Thus her name has been
enshrined as a symbol of the operation that gave
rise to the Cuban military mission in Angola 30
years ago. If was as if the bones and blood of
Carlota and her comrades in the uprising joined
together again to serve the liberation of the
descendants of those Africans who contributed to the
forging of the Cuban nation.