Political Prisoners of the Empire  MIAMI 5      

     

C U L T U R E

Havana. March 2, 2005

Casa Victor Hugo to open in Havana
• One of the eminent writer’s great-grandaughters will attend • It will be based in an 18th century home restored by the City Historian’s Office with French cooperation

BY MIREYA CASTAÑEDA—Granma International Staff Writer—

CITY historian Eusebio Leal has announced the upcoming inauguration in Old Havana of the Casa Victor Hugo, which will be based in an 18th century mansion on Calle O’Reilly.

During a press conference at the City Museum, Leal introduced Roger Grevoul, president of the French association, Cuba Cooperación, which played an important role in searching for financial support to restore the building.

The City Historian spoke briefly about Victor Hugo’s warmth toward Cuba and its independence, and recalled that during his stay in Paris, José Martí met the great writer and later would profoundly reflect in his writing what Hugo meant for the world of his time.

Leal explained that on the 150th anniversary of the birth of the author of Les Miserables, Emilio Roig de Leuchsenring, Havana’s first city historian, unveiled a monument to Hugo in one of El Vedado’s parks, and it is now believed that the best way to celebrate the bicentennial would be an institution under the auspices of the Historian’s office, such as the existing ones of Simón Bolívar and Benito Juárez. 

The restoration of the house – with an external appearance that classifies it as neo-classical style – was completed after exhaustive archeological and historical research. Through the former, objects associated with French pharmacy and medicine were obtained, and the latter indicates that the house belonged to several important Havana families, including that of the illustrious scholar Felipe Poey.

Leal also announced that for the inauguration on March 16, one of Victor Hugo’s great-granddaughters will be arriving, along with another 100 French guests, who will give lectures and participate in roundtable discussions. He highlighted the exhibits Sonrisas de mujeres (Women’s Smiles), by photographer Michel Belhomme, and Victor Hugo visto por creadores franceses (Victor Hugo as seen by French creators), which are large pieces of cloth that hang from Old Havana’s balconies. He also called attention to the Friendship Concert at the Amphitheater, in which French singer Nilda Fernández will perform together with Cuban pianist Aldo López-Gavilán.

For his part, Roger Grevoul commented: “The House is already done. I, who saw it in ruins, know that it is an extraordinary work.”

He confirmed that many people were mobilized in France for this renovation, and especially thanked the French Senate, which gave a substantial financial contribution.

Grevoul added that the House of Victor Hugo in Paris donated a collection of high-quality reproductions, as well as books and documents (the Casa in Havana will have a library as well as classrooms for teaching French, with cooperation from Alianza Francesa).

To the question “Why in Old Havana?” he responded: “Because for Cuba and France, it represents a very important cultural and social place. Its renovation is being carried out with a very special spirit, unlike in capitalist countries. Here, the center of restoration and preservation is the people.”

The Casa Victor Hugo in Havana – Roger Grevoul concluded – is a product of the will between Cuba and France.

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